Scythia (10th - 4th c. B.C.)
Caste metal
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1. Bronze ceremonial battle axe with silver inlay. A tiger, under attack, has brought down a wild goat. Ca.
1000-800 B.C. Probably Uzbekistan. (British Museum)
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2. Bronze coiled panther plaque. Breast ornament from horse harness. Arzhan kurgan, Tuva, south
Siberia. 8th c. B.C. 25 cm. dia. (Kyzyl: State Museum of the Tuva). One of earliest known examples
of Scythian art.
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3. Gold plaque of panther with cloisonné inlay in ears and paws. Probably part of a scaled
corselet. From Kelermes, South Russia (Leningrad: Hermitage Museum). Style entirely oriental.
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4. Electrum stag plaque. Late Scythian. Ca. 5th c. B.C. (Tapioszentmarton, Hungary). The pose is
clumsy and limp, which is taken to be a symptom of the decline of the Scythian animal style.
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5. Late Graeco-Scythian gold plaque that served as a shield ornament. Stag from the Kul'-Oba kurgan,
Crimea. 5th c. B.C. (Leningrad: Hermitage). Greek influences here compromise the Scythian animal style,
making it less lively.
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Repousée metal
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1. Silver vase inlaid with partial-gilt scenes of fighting animals. Kul'-Oba kurgan, Crimea. Griffin
attacks a goat (Leningrad: Hermitage). The style is Greek, while the themes are both Greek and eastern.
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2. Electrum vase from Kul'-Oba kurgan, Crimea. 4th c. B.C. Man treats companion for a mouth wound
(Leningrad: Hermitage Museum). This is a Greek work that uses Scythian themes.
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3. Graeco-Scythian gold plate from a wooden rhyton from Seven Brothers Kurgan in the Crimea.
A winged panther attacks a goat (Leningrad: Hermitage Museum). Graeco-Scythian style.
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4. Death mask of Scythian queen, prob. 3rd c. A.D. Glinische, near Kerch, a refuge for Scythians
from the steppe (Leningrad: Hermitage)
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Textiles
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1. Felt hanging from kurgan 5 at Pazyryk, Altai region. A horseman approaches the throne of a divine
ruler, probably the Near Eastern Magna Mater, but her representation seems derived from the Far East
(Leningrad: Hermitage).
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2. Applique on dyed felt hanging from kurgan 1 at Pazyryk, Altai region. Eagle-griffin attacks an
ibex (Leningrad: Hermitage). Twisted form anticipates the late Sarmatian art of Siberia.
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