Archaic Mesopotamia

	1. Halaf period pottery plate from Arpachiyah, upper Mesopotamia. Ca. 5000 B.C. (London: British Museum). One of many small cultures of Northern Iraq and Turkey that were loosely in communication with each other.
	2. Stone figurine without arms and legs. Arpachiya, from upper Tigris, c. 5000 B.C. British Museum. The northern figure style was heavy.
	3. Terracotta Halaf female figurine from Chagar Bazar, c. 5000 B.C. The exagerrated female characteristics suggest the object served some religious purpose. Paint traces suggest arm and leg jewellery or decoration and a loin cloth. Breasts seem to be painted or tattood (British Museum).

	1. Two terracotta female heads, from Tell al-`Ubaid and from ??. ca. 4500 B.C. The culture, named after the al `Ubaid type site, arose from the earliest settlement of the southern alluvial flood plain in the late 6th millenium. After spreading out in the 5th millenium to displace the Halaf culture in the North, it lasted to at least 4000 B.C.
	2. Ubaid terracotta figurine from Ur, c. 4500 B.C., of a woman suckling a child. Painted jewelery, body paint or tattoos. Slim figure (in contrast to the North), elongated head and protruding eyes characterize the Ubaid figure style.
	3. Baked clay male figurine from an Ubaid grave at Eridu. Decoration or tattoos from shoulder to shoulder used by men and women. Southern Ubaid figure style (Iraq Museum, Baghdad).
	4. These pots, found at al `Ubaid type site itself (British Museum, UK), are typical of last phase of Ubaid pottery found throughout much of Mesopotamia, including Uruk.

	1. Both sides of a limestone tablet from Kish. c. 3500 B.C. (Dept. Antiquities, Ashmolean Museum, Oxford, UK). Included in this earliest example of pictographs is the sign for head, hand, foot, a threshing sledge and numbers.
	2. Administrative clay tabled of c. 3000 B.C. The deep circles and cresents are numbers. The rest are pictographs representing high necked jars etc. A simple enumeration. Not until 2600 do we see tablets that are truely writing having grammar and author individuation.
	3. Ruin of ziggurat of E-anna at Uruk. Uruk chronology is based on the pottery styles found in a 20-meter deep pit dug at this sacred site.
	4. Handmade painted pottery from tombs at Eridu (Iraq Museum, Baghdad). Dark geometric designs on light ground typifies Ubaid Levels XVIII-XIV. The piece at lower right is in the early style.
	5. Marble head of woman from Uruk. Originally the eyes and eyebrows had colored inlays, and the head was perhaps placed on a wooden body.

	1. Wheel-turned painted pottery from Jemdet Nasr that indicate Iranian connections. Polychrome geometric designs in black and plum are characteristic of the period. The shapes often derive from metalware (Asmholean Museum, Oxford).
	2. Pottery jar of Jemdat Nasr type. It was found in the al' Ain region of the United Arab Emirates, which attests to contacts between Mesopotamia and Oman peninsula - an important source of copper. Ca. 3000 B.C. (London: British Museum).